I am a researcher and practitioner whose main interests are in the theory, history and practice of film sound. Other research centres on videographic criticism, archival studies, production studies, and documentary studies. I am an editor of Music, Sound, and the Moving Image and regularly publish research in written and videographic forms. My audiovisual essay, The Elephant Man’s Sound, Tracked  won the 2022 Videographic Film Criticism award from the British Association of Film, Television and Screen Studies (BAFTSS). Currently, I am a Senior Visiting Research Fellow at the University of Reading and the Sound Artist in Residence at Lancaster University on the Cinema Memory and the Digital Archive project. I am completing the edit for a feature length social documentary film that  stemmed from the research project, Brews and Brows: Shaping Stories from Eyebrows to Scousebrows.

Since 2001, I have worked as a sound trainee, boom operator, sound recordist, editor, mixer and designer in the Irish film and television industries, including working on the multi-award winning drama series Pure Mule, which received an Irish Film and Television Academy (IFTA) Award for best sound in film and television at the 2006 awards ceremony.

I have over 14 years experience teaching theory, history and practice in Film Studies in Higher Education in the UK and Ireland. I regularly deliver guest lectures, masterclasses and workshops on sound and the audiovisual essay.