(forthcoming 2023) “Researching audiovisually: experiments in videographic criticism in David Lynch’s The Elephant Man (1980) and Blue Velvet (1986)”, in Networked David Lynch: Critical Perspectives on Cinematic Transmediality (eds) Marcel Hartwig, Peter Niedermüller, Andreas Rauscher, Edinburgh University Press.
“Spencer Bell, Nobody Knows My Name” (13 minutes) Open Screens, 5(1), 2022, https://www.openscreensjournal.com/article/id/8160/
“Sound and the audiovisual essay, part 2: the theory and practice of film sound and music in videographic criticism”, NECSUS, European Journal of Media Studies, Spring 2022. https://necsus-ejms.org/sound-and-the-audiovisual-essay-part-2-the-theory-history-and-practice-of-film-sound-and-music-in-videographic-criticism/
“The Gravity of the Acousmêtre: listening via the radio and through paratext in film” (11 minutes) NECSUS, European Journal of Media Studies, Spring 2022. https://necsus-ejms.org/the-gravity-of-the-acousmetre-listening-via-the-radio-and-through-paratext-in-film/
“Teaching the student, not the subject”, in The Cine-Files, Issue 15, 2021. http://www.thecine-files.com/teaching-the-student-not-the-subject/
(with Niamh Thornton) “Brews and Brows: Shaping stories from eyebrows to scousebrows”, Screen, December 2020, vol.61.
“Sound and the audiovisual essay, part 1: Dialogue, music, and effects” Editorial, in NECSUS, European Journal of Media Studies, Autumn 2020, https://necsus-ejms.org/sound-and-the-audiovisual-essay-part-1-dialogue-music-and-effects/
“The Elephant Man‘s Sound, Tracked”, in NECSUS, European Journal of Media Studies, Autumn 2020, https://necsus-ejms.org/the-elephant-mans-sound-tracked/
“Looking Across the Abyss: Human/Non-Human Animal”, The Cine-Files, Issue 14, 2019. http://www.thecine-files.com/lizgreene/
“Media Dialogues: A Scholarly Roundtable”(with Miranda Banks, Cynthia Baron, James Buhler, Nina Cartier, Liz Greene, Lori Lopez, Miguel Mera, Jacob Smith) moderated by Eric Dienstfry and Casey Long in Velvet Light Trap, vol. 82, Fall 2018, 43 – 60.
“Do it for Van Gogh: detecting and perverting the audience position in David Lynch’s Blue Velvet” (audiovisual essay) NECSUS, European Journal of Media Studies, 2018.
“(Not) Teaching The Elephant Man” in The Cine-Files, Issue 13, 2017. http://www.thecine-files.com/not-teaching-the-elephant-man/
“Falar, Cantar, Gritar: o controle da voz feminina no cinema americano (Speaking, Singing, Screaming: controlling the female voice in american cinema)” Leitura: Teoria & Práctica, vol. 35, no. 70, 2017, 67 – 83.pdf
Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (eds) Liz Greene & Danijela Kulezic-Wilson, Palgrave Macmillan, Basingstoke, 2016.
“From Noise: Blurring the Boundaries of the Soundtrack”, in Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (eds) Liz Greene & Danijela Kulezic-Wilson, Palgrave Macmillan, Basingstoke, 2016.
(with Danijela Kulezic-Wilson) “Introduction”, in Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (eds) Liz Greene & Danijela Kulezic-Wilson, Palgrave Macmillan, Basingstoke, 2016.
“Sound Recording, Sound Design and Collaboration: An interview with Ann Kroeber”, in Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (eds) Liz Greene & Danijela Kulezic-Wilson, Palgrave Macmillan, Basingstoke, 2016.
(with Ian Garwood) “Introduction – Breath and the Body of the Voice in Cinema”, Music, Sound and the Moving Image, 10.2, 2016
“The Labour of Breath: Performing and Designing Breath in the Cinema”, Music, Sound and the Moving Image, 10.2, 2016.
“About Silence” SEQUENCE: Serial Studies in Media, Film and Music, 5.1, ISSN 2052-3033 (online), 2016. http://reframe.sussex.ac.uk/sequence5/2016/06/24/presenting-sequence-five-about-silence/
“Music and Montage: Punk, speed and histories of the Troubles” in Film, History and Memory (eds) Jennie Carlsten & Fearghal McGarry, Palgrave Macmillan, Basingstoke, 2015. pdf
“Placing the three Bernadettes: audio-visual representations of Bernadette Devlin McAliskey”, in Truth, Dare or Promise (eds) Jill Daniels, Cahal McLaughlin & Gail Pearce, Newcastle Upon Tyne: Cambridge Scholars Press, October 2013, 112-134 (ISBN: 1-4438-4959-6, ISBN 13: 978-1-4438-4959-3) pdf
“Bringing vinyl into the digital domain: Aesthetics in David Lynch’s Inland Empire” in The New Soundtrack, Edinburgh University Press, 2.2, September 2012, 97-111 (ISSN:2042-8855) pdf
“Swamped in Sound: The Sound Image in Lucrecia Martel’s La cienaga/The Swamp” in Printed Project – Physical Stuff Made Strange, Issue 15, Visual Artists of Ireland, March 2012, 52-60 (ISSN:1649-4075) pdf
“The unbearable lightness of being: Alan Splet and dual role of editing sound and music” in Music and the Moving Image, University of Illinois Press, vol. 4 (3), Fall 2011, 1-13 (E-ISSN: 1940-7610) pdf
“Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema” in The Soundtrack Journal: 2.1, Intellect, 2009, 63-76 (ISSN: 17514193) pdf
“The Woman Sings: sound design and meaning in Hollywood cinema” in Irish Films, Global Cinema: Studies in Irish Film 4, Dublin: Four Courts Press, 2007, 39-47 (ISBN: 978-1-84682-081-6)
“Designing Asynchronous Sound for Film” in National Cinemas and World Cinema: Studies in Irish Film 3, Dublin: Four Courts Press, 2006, 134-140 (ISBN: 1-84682-018-9)
“Ambiguity: Walter Murch and the metaphoric use of sound in The Godfather, The Conversation and Apocalypse Now” in Film and Film Culture vol. 3, 2004, 107-113 (ISSN: 1649-1580) pdf
Velvet Elephant, AV essay, published by Indiewire, 27th July, 2015. Screened at Ghent Film Festival 15th & 17th October 2017.
The sound of middle aged nostalgia (4 mins 30 secs) AV essay, featured in Catherine Grants’s article “Turning up the volume: The Emergent Focus on film sound, music and listening in audiovisual essays” The Cinefiles (8), 2015.
Is there speech or is there silence? And for how long? A conversation between Liz Greene and Dominic Patterson, 10 minute video presented at the University of Glasgow, 29th April 2014.
My ten favourite moving pictures beginning with G, uploaded to Audiovisualacy, 7th April 2014.
Liminal Lands in collaboration with the artist Michael Mayhew and Paul Stapleton of the Sonic Arts Research Centre (SARC), funded by CETL, performance in the Sonic Lab, SARC, Queen’s University Belfast, Northern Ireland, 17th April 2010.
Visiting Speaker, Sound and Image Videographic Workshop, Middlebury College, Vermont, USA funded by National Endowment for the Humanities (NEH), 25th June – 1st July 2017.
Liverpool John Moores University, QR Research Fund, collaborative project with Dr Niamh Thornton (University of Liverpool) Brews and Brows: Shaping Stories from Eyebrows to Scousebrows £1,917.50, 2017.
National Endowment for the Humanities (NEH) USA, full travel and subsistence grant with stipend to attend Videographic Criticism workshop, Middlebury College, Vermont, USA, 14th – 27th June 2015.
University of Glasgow, School Research Committee, successful networking bid for Sound and Moving Image Research Group (SMIRG) with Dr David Code, Dr Ian Garwood, Dr Louise Harris, Scotland (£2740) 2013.
Higher Education Academy UK Travel Fund (£500) April 2012.
Queen’s University Belfast – Staff Training and Development Unit – AVID Pro Tools training (£3,100) March 2011.
British Academy – Overseas Conference Grant (£500) March 2010.
University of Ulster (Coleraine) SPUR PhD Scholarship 2004-2007.